Stories

Aisha & Tobias Schliessler ASC: Making Rhinestone Blue w/Premista

Cinematographer Tobias Schliessler, ASC, Director Aisha Schliessler and crew take you behind the scenes of making #RhinestoneBlue, the first film shot...

Fujinon MK lens with Blackmagic Pocket Cinema Camera 4K - BTS of "A Fair Chance" (Short ver)

Behind the scenes with Philip Bloom creating the footage using a MK series T2.9 lens.

Long version: https://www.youtube.com/watch

Fujinon MK lens - BTS of “The Glass Hub”

In this short video, Alister Chapman describes how he used the Fujinon MK lenses with the SLR Magic Anamorphot 65 anamorphic 1.33x adaptor, the...

Fujinon MK lens - The Glass Hub

This short documentary was shot using the Fujinon E Mount MK lenses with the SLR Magic Anamorphot 65 1.33x anamorphic adaptor.

Fujinon MK lens with Blackmagic Pocket Cinema Camera 4K - AN EPIC COMBO

This video explains all the benefits of MK lenses with Blackmagic Pocket Cinema Camera 4K.

Fujinon MK lens with Blackmagic Pocket Cinema Camera 4K - AN EPIC COMBO

Here, DOP Bárbara Lopes discusses shooting the entire film on a Sony FS5 with FUJINON MK Lenses.

Behind the scenes of MK50-135mm footage - Shot by Philip Bloom

Behind the scenes with Philip Bloom creating the footage using a MK50-135mm T2.9 lens

FUJINON MK Lens - Image movie making

Behind the scene of FUJINON MK Lens - Image movie

Behind the scenes - Shot by Philip Bloom

Behind the scenes with Philip Bloom creating the footage using a MK18-55mm T2.9 lens

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