“FUJINON MK50-135mm T2.9” achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & “less than 1kg” lightweight body, and excellent cost performance. It suppresses “focus shift and optical axis shift while zooming” and “Lens breathing”. Also, it features three fully manual lens rings for focus, zoom, and iris with 0.8M gear pitch and a 200° focus rotation angle for sophisticated operability.
Model name: | MK50-135mm T2.9 |
Focal length: | 50-135mm |
Zoom raito: | 2.7x |
F-No.: | F2.75 |
T-no.: | T2.9 |
Image Size: | 24.84mm x 13.97mm (φ28.5mm) |
Minimum Object Distance (M.O.D): | 1.2m / 3ft 11in with macro function 0.85m / 2ft 9in |
Object Dimensions at M.O.D | 50mm 534mm x 300mm |
(H x V) 1.78 : 1 Aspect Ratio* : | 135mm 196mm x 110mm |
Angle of view (H×V) | 50mm 27.9° x 15.9° |
1.78 : 1 Aspect Ratio* : | 135mm 10.5° x5.9° |
Iris Blades: | 9 |
Filter Diameter: | 82mm |
Front Diameter: | 85mm |
Length: | 206.3mm |
Weight(approx.): | 980g |
Lens Mount: | E-mount |
*Sensor Size : 24.84mm x 13.97mm |
Development story of MK Series
Cinematographer Yoshihiro Enatsu talks about the usability and creativity of MK lenses
Cinematographer Yoshihiro Enatsu tells what makes MK Series attractive
Introduction movie for features of MK series, MK18-55mm and new MK50-135mm
Cinematographer Yoshihiro Enatsu from Marimo Records tested the Fujinon MK cine lens series
The footage shot by Philip Bloom in London with a MK50-135mm T2.9 lens and FS7
Behind the scenes with Philip Bloom creating the footage using a MK50-135mm T2.9 lens
Cinematographer Maejima Kazuo tells us the story of what makes MK lens attractive
Introduction movie of FUJINON MK lens
Edo Arts shot with MK18-55mm T2.9
Behind the scene of FUJINON MK Lens - Image movie